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Sunday, October 27, 2019

Hollywood's #MeToo Studios Only Want to Tell #MeToo Stories About FOX News

Over 80 women accused Hollywood mogul Harvey Weinstein of everything from harassment to rape. The drama of the case made the #MeToo movement go global. And you might think that there would be a movie in that. But years later, the closest we’ve come are rumors that Brad Pitt, who has his own history with Weinstein, might adapt the story of two of the reporters involved in the coverage.

Brian De Palma (Scarface, The Untouchables) will be making Predator, which will be about Weinstein without actually naming Hollywood’s Voldemort. “My character won’t be named Harvey Weinstein, but it will be a horror film, with a sexual aggressor, and it will take place in the film industry,” he said.

Why not name Weinstein? And why treat a recent case as historical fiction?

“I was aware of some of the things that were happening during the Harvey Weinstein era and it is an interesting story to tell,” De Palma said.

Okay then.

Meanwhile there have been not one, but two, count ‘em, two movies about the #MeToo scandal at FOX News. Showtime adapted Gabriel Sherman’s dubious book, The Loudest Voice, into a seven-episode miniseries featuring top talent. Russell Crowe had to be paid enough money to spend 6 hours in the makeup chair, not to look like Harvey Weinstein, but Roger Ailes.

Russell Crowe had been accused of being recruited to kill an investigative piece on Harvey Weinstein’s assaults back in 2004. But, please give him an Emmy now for being outraged about sexual harassment. If it involves Republicans. Weinstein had all but made Sienna Miller a star and she used to call him “Pops” while claiming that he had never propositioned her. Give Pops’ favorite daughter another Emmy.

The Loudest Voice miniseries rehashed the usual lefty culture war targets from a previous decade, the Bush administration, 9/11, and sank like a stone. Even dedicated FOX-hating proggies didn’t want to spend the bulk of their free time watching Russell Crowe try to act his way through a wet paper bag in a neverending story about events that could be summed up in three sentences.

Reviews were poor and only some 300,000+ viewers tuned in to see the episodes when they first aired.

Was there a more interesting story that Showtime could have made a miniseries about?

Showtime is a subsidiary of CBS. And CBS had its own TV version of the Harvey Weinstein scandal, complete with Clinton connections.

CBS CEO and former Chairman Les Moonves was accused of harassing and assaulting numerous women, he allegedly even had a staff member who was there to perform sexual favors for him. A CBS board member, who was a major Hollywood producer, had said, “I don’t care if 30 more women come forward and allege this kind of stuff.”

Moonves was a good friend of the Clintons and had shepherded their projects through the pipeline.

But Moonves was not just any executive. He transformed CBS from a midwestern family network into an urban and edgy network that pushed the boundaries. The story of his rise and downfall isn’t just a #MeToo scandal, it’s an important story about the cultural changes in the industry and the country.

It’s the kind of story that The Loudest Voice claims to be telling.

But Moonves’ own Showtime gang has no interest whatsoever in telling it. Instead, the former toy of television’s worst sexual predator, spent a fortune accusing FOX News of sexual misconduct.

Lest you think that a seven-episode miniseries could exhaust the topic, Bombshell, a movie starring Nicole Kidman, Charlize Theron and Margot Robbie, will be coming to theaters soon.

Bombshell is not to be confused with the movie of the same name about Hedy Lamarr: who merely escaped Nazi Germany, became a movie star, and whose ideas helped pave the way for WiFi. That movie was considered unimportant. This one bashes Republicans.

Bombshell is being released by Lionsgate, whose former executive vice president of legal affairs accused its general counsel of assaulting her and trying to make her his slave.

Literally.

At one point the powerful Lionsgate figure allegedly told her that, "he wanted me to be his slave and he wanted me on my knees to crawl to him."

After coming forward, the former Lionsgate lawyer claimed that Lionsgate execs struck back and prevented her from finding work.

There could be a movie in that. But just not from Lionsgate. Or anyone in Hollywood.

Instead, Lionsgate, which has its own sexual harassment problem, is betting big on a movie about FOX's sexual harassment problem. And, of course, no one will actually call out Lionsgate for its hypocrisy.

Just like Showtime got a pass.

The #MeToo scandals tore a swath through the industry leaving major holes in CBS (Les Moonves, 60 Minutes exec producer Jeff Fager, Charlie Rose, Rick Najera), NBC (Matt Lauer, Tom Brokaw, Mark Halperin), NPR (Michael Oreskes, head of news, David Sweeney, chief news editor), not to mention scandals involving the head of Amazon studios, the chief creative officer for Walt Disney Animation, Bill Cosby, Paul Haggis, Morgan Freeman, Russell Simmons, Tavis Smiley, Louie C.K., Kevin Spacey, Jeffrey Tambor, James Franco, Casey Affleck, and an endless legion of other big industry names.

None of that was worth a movie. The only #MeToo stories Hollywood will tell are about Republicans.

The same industry which has yet to cobble together one single lousy movie about Harvey Weinstein, a predator whose crimes became international news and whose fat face is instantly recognizable, has managed to ignore the disasters at CBS, NBC and NPR, to make two productions about FOX News.

The movies come from CBS and Lionsgate. Both of which have had their own #MeToo scandals.

Bombshell and The Loudest Voice are pictures of a corrupt industry. Just not the industry that CBS and Lionsgate had in mind. These propaganda flicks exist in negative space. The important stories are the ones that they aren’t telling. And the reasons why they aren’t telling them are the real story.

There’s an old Soviet anecdote about an American and a Russian who are arguing about freedom.

The American tells the Russian that he can go to the White House and shout that the President of the United States is an idiot. The Russian tells the American that he can also go to the Kremlin and shout that the President of the United States is an idiot. CBS and Lionsgate, like the proverbial Russian, will prove they oppose sexual harassment by shouting how terrible the situation for women is at FOX News.

Why won’t the only major Hollywood project about Harvey Weinstein that appears to be going somewhere even use his name? It’s not because the industry still fears Harvey. Those days are done.

But the industry is full of guys like him, and many of the boys and girls who work in it are complicit.

When you look in the mirror and don’t like what you see there (a common problem in Hollywood), you project it outward. Build an effigy and burn it. And then pretend that it’s a problem that the other tribe has. Tell the story often enough and maybe you’ll even believe it. And hopefully the public will.

Bombshell and The Loudest Voice aren’t exposes. They’re industry cover-ups.






Daniel Greenfield is a Shillman Journalism Fellow at the David Horowitz Freedom Center. This article previously appeared at the Center's Front Page Magazine.

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2 comments:

112 said...

This #metoo movement is getting it from all ends. There's the fact that many of the perpetrators are using it as a weapon against the right, watering down the legitimacy of the claims and making them look like political attacks. There's the people who say "well the poor girl surrounded by the most powerful billionaires could have said no, like I know I would have", and making them look like whores who are just trying to get money, instead of scared girls finally speaking out for justice. There are the people who gloss over 19 year olds screaming for Harvey to stop raping them with, "it's just casting couch culture", "they knew what they were getting into". Not to mention the years before this became big that people spend discrediting them, or like Opera, when responding to an actor claiming he was gay pedophile raped, said "you're hurting the industry!". Whatever can be done to help them against their many enemies?

Anonymous said...

At Church Camp, I enjoyed my lunch to the magic
of a lurid description of Hellfire. Now I have
to pay to watch overbearing, condescending
portrayals of “naughtyness by the deplorable
du jour”?? The idiot left doesn’t get how
easily we spot their tripe and chuck it.

Charlie

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